Japanese bondage art with lesbian sex slaves

The bondage art began with the simple binding of feet in ancient Asian culture thousands of years ago. Since then the practice has been recognized by the less impressionable as a valid form of physical pleasure and education. Japanese bondage is a form unto itself, and has applications far beyond the realm of lesbian sex slaves and leather-clad sadists and masochists. The US military has even learned some of the techniques and added it to their collection of combat knowledge. You may be wondering why bondage has such a bad name if it is so useful.

Japanese bondage is infamous for its viciousness - its relentlessness - in subduing the freedoms of an individual. The bondage art was used as a system of torture as well as an instrument of pleasure, and it seems some of its more shadowy performers found a skewed realm where they couldn’t be sure what they were experiencing at all. The pleasure-pain convergence was applied to the straight and lesbian sex slaves of emperors and war-lords, and bondage was forever linked to perversion, or hentai.

Some American BDSM cultures have become popular enough to divide into separate class systems – the lowest of which are those who can’t even cut it in the scene (the hang-outs and cult parties that are thrown across the nation in dive bars and private residences), followed by the blue collar BDSM, topped by the elite of the scenic crowd. Various literature produced by people like Anne Rice and ________ have suggested that there is an even higher echelon of elites who deal in training the best of the scene to be straight, gay, or lesbian sex slaves, and then sell them to the highest international bidder.

Understandably all of this has given bondage a name which, if spoken in the ordinary household at all, is either laughed at as a bold joke or rinsed away with plenty of soap. But don’t let the stereotypes of exaggeration keep you from exploring the bondage art. You may, if brave enough, find that you never knew what pleasure really is.